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sich vor allem für die Frauenfiguren in der Geschichte der Stadt interessiert

They decided to make a book with the deep

"This work is an exploration of memory and grief

at the height which comes one of the most famous and most genuinely shocking scenes in Latin American literature

New York Times and Harvard's Nieman Journalism Lab

The Wax Child Michael Rossi sich vor allem für dieIt was a black night in the year 1620 when Christenze Krukow made the wax child, when she melted down beeswax and set it in the image of a small human. For days, she carried it tucked beneath her arm, shaping it with the warmth of her flesh, giving it life. She fashioned for it eyes and ears that cannot open, and yet it watches and listens. It looks on as Christenze is haunted by rumour, it hears what the people whisper. It sees how, in the

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